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NOTE: You are purchasing a standalone product; MasteringA&P does not come packaged with this content. If you would like to purchase both the physical text and MasteringA&P search for ISBN-10:    0133893383 /ISBN-13: 9780133893380 . That package includes ISBN-10:  0133925595 /ISBN-13:  9780133925593 and ISBN-10: 0133999300 /ISBN-13:  9780133999303.

For the two-semester A&P laboratory course.

 

All instructor resources for this title are available in the Instructor Resources section on the MasteringA&P site.

 

Helping millions of future healthcare professionals prepare for lab and practice lab concepts.

Revered for its thorough, clearly written exercises and explanations, Human Anatomy & Physiology Laboratory Manual has provided millions of future healthcare professionals with a complete hands-on laboratory and learning experience. The fully revised Twelfth Edition provides a more active, workbook-style approach that incorporates visual summaries, streamlines information, and engages students with hands-on drawing and review activities. New features include assignable Pre-lab Videos that introduce students to the lab and related equipment, and “Why this Matters,” which shows the relevance of lab activities to real-life and clinical examples. This edition is fully integrated with MasteringA&P, offering assignable visual media and activities that promote active learning and engage students.  

 

For the first time, the lab manual is publishing alongside Marieb/Hoehn’s best-selling Human Anatomy & Physiology . Designed to meet the needs of the 2-semester A&P laboratory course, the manual can be used with any A&P textbook and is available in a customized edition, as well as in three conventional versions: Main (Eleventh Edition), Cat (Twelfth Edition), and Fetal Pig (Twelfth Edition).

 

Also Available with MasteringA&P ®
This title is also available with MasteringA&P — an online homework, tutorial, and assessment program designed to work with this text to
engage students and improve results. Within its structured environment, students practice what they learn, test their understanding, and
pursue a personalized study plan that helps them better absorb course material and understand difficult concepts. Students, if interested in purchasing this title with MasteringA&P, ask your instructor for the correct package ISBN and Course ID. Instructors, contact your Pearson representative for more information.

• Sales Rank: #2384 in Books
• Published on: 2015-01-22
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x 1.40" w x 9.30" l, .0 pounds
• Binding: Spiral-bound
• 992 pages

About the Author
For Elaine N. Marieb, taking the student’s perspective into account has always been an integral part of her teaching style. Dr. Marieb began her teaching career at Springfield College, where she taught anatomy and physiology to physical education majors. She then joined the faculty of the Biological Science Division of Holyoke Community College in 1969 after receiving her Ph.D. in zoology from the University of Massachusetts at Amherst. While teaching at Holyoke Community College, where many of her students were pursuing nursing degrees, she developed a desire to better understand the relationship between the scientific study of the human body and the clinical aspects of the nursing practice. To that end, while continuing to teach full time, Dr. Marieb pursued her nursing education, which culminated in a Master of Science degree with a clinical specialization in gerontology from the University of Massachusetts. It is this experience that has informed the development of the unique perspective and accessibility for which her publications are known.
 
Dr. Marieb has partnered with Benjamin Cummings for over 30 years. Her first work was Human Anatomy & Physiology Laboratory Manual (Cat Version), which came out in 1981. In the years since, several other lab manual versions and study guides, as well as the softcover Essentials of Human Anatomy & Physiology textbook, have hit the campus bookstores. This textbook, now in its Ninth edition, made its appearance in 1989 and is the latest expression of her commitment to the needs of students studying human anatomy and physiology.
 
Dr. Marieb has given generously to provide opportunities for students to further their education. She contributes to the New Directions, New Careers Program at Holyoke Community College by funding a staffed drop-in center and by providing several full-tuition scholarships each year for women who are returning to college after a hiatus or attending college for the first time and who would be unable to continue their studies without financial support. She funds the E. N. Marieb Science Research Awards at Mount Holyoke College, which promotes research by undergraduate science majors, and has underwritten renovation and updating of one of the biology labs in Clapp Laboratory at that college. Dr. Marieb also contributes to the University of Massachusetts at Amherst where she generously provided funding for reconstruction and instrumentation of a cutting-edge cytology research laboratory. Recognizing the severe national shortage of nursing faculty, she underwrites the Nursing Scholars of the Future Grant Program at the university.
 
In 1994, Dr. Marieb received the Benefactor Award from the National Council for Resource Development, American Association of Community Colleges, which recognizes her ongoing sponsorship of student scholarships, faculty teaching awards, and other academic contributions to Holyoke Community College. In May 2000, the science building at Holyoke Community College was named in her honor.
 
In January 2012, Florida Gulf Coast University named a new health professions facility “Dr. Elaine Nicpon Marieb Hall.” With the help of Dr. Marieb’s generous donation, this facility contains laboratories in the School of Nursing that simulate an operating room, intensive-care unit, a labor and delivery room, and general medical surgical suites. She has also established a scholarship endowment for non-traditional students in the health professions, and an endowment to enhance the activities of faculty, students, and staff within health professions to support education, research, and community outreach.
 
Dr. Marieb is an active member of the Human Anatomy and Physiology Society (HAPS) and the American Association for the Advancement of Science (AAAS). Additionally, while actively engaged as an author, Dr. Marieb serves as a consultant for the Benjamin Cummings Interactive Physiology® CD-ROM series.
 
When not involved in academic pursuits, Dr. Marieb is a world traveler and has vowed to visit every country on this planet. Shorter term, she serves on the scholarship committee of the Women’s Resources Center and on the board of directors of several charitable institutions in Sarasota County. She is an enthusiastic supporter of the local arts and enjoys a competitive match of doubles tennis.
 
Lori A. Smith received her Ph.D. in Biochemistry from the University of California at Davis. Before discovering her passion for teaching, she worked as a research scientist and project leader in the medical diagnostics industry. In 1999, she joined the faculty at American River College in the Biology Department.  Currently she teaches anatomy and physiology and microbiology to pre-nursing and mortuary science students at American River College. Starting in 2005, she began co-authoring Pearson’s PhysioEx: Laboratory Simulations in Physiology and has continued to co-author several versions of the software and lab manual. Dr. Smith has been awarded “Instructor of the Year” by the American River College Associated Students for her commitment to serving students, and she is a member of the Human Anatomy and Physiology Society (HAPS) and the National Association of Biology Teachers (NABT).

Most helpful customer reviews

0 of 0 people found the following review helpful.
We bought this book for my fiances college class. ...
By Ron
We bought this book for my fiances college class. The book was delivered on time and it was exactly what she needed.

0 of 0 people found the following review helpful.
You get what you pay for
By dan
Bought brand new cheaper than school book store , it's a lab book buy it brand new not used its better to have and create your own notes so you can have your own understanding of the material, than to look at someone else's notes that could be wrong or just plain sloopy. Do not rent !!!!!!!

0 of 0 people found the following review helpful.
This is a great informative book
By Amazon Customer
This is a great informative book. Was designated by the school and the instructive but it is composed well easy to understand and informative

See all 20 customer reviews...

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In this book, William F. Powell invites you into his artistic world as he shows you how to render a variety of beautiful trees in pencil. The author explains a number of basic drawing techniques before exploring basic tree shapes and leaf types. As you learn how to draw branches, bark, and ground foliage, step by step, youÆll also discover important tips about shading, creating textures, setting up compositions, and applying perspectiveùhelping you develop your own tree drawings to their fullest potential. Helpful examples and essential information make this comprehensive guide a valuable addition to any artistÆs drawing library!

• Sales Rank: #400364 in eBooks
• Published on: 2003-01-01
• Released on: 2003-01-01
• Format: Kindle eBook

From the Publisher
Dear Art Enthusiast,

Today may be your fist time using a Walter Foster art book, or it may be the continuation of a long-term relationship with our products. Either way, this book will delight you.

Like all of our art books, this title was written with careful attention to detail. It includes detailed illustrations that will bring you a satisfying learning experience and hours of enjoyment. Walter Foster Publishing knows that artists are eager to learn, sharpen their skills and talents, and experience new artistic horizons. And while you may not be in a position to take private lessons, Walter Foster offers you the next best thing--step-by-step, do-it-yourself art instruction books that are entertaining and affordable.

Our books are authored by some of the best artists in America, and you can be sure our quality standards and color presentations are at the highest possible levels. For 80 years, Walter Foster Publishing has been providing instructional art books and products to million of enthusiastic artists who enjoy the rewards of learning to draw and paint. Most of all, we hope you have fun in the process!

About the Author
William F. Powell is an internationally recognized artist and one of America's foremost colorists. A native of Huntington, West Virginia, Powell studied at the Art Student's Career School in New York, Harrow Technical College in Harrow, England, and the Louvre Free School of Art in Paris, France. He has been professionally involved in fine art, commercial art, and technical illustrating for more than 35 years.

Powell has written and illustrated 13 instructional art books for Walter Foster Publishing, and he is the creator of the original Color Mixing Recipe Cards. His experience as an art instructor includes oil, watercolor, acrylic, colored pencil, and pastel--with subjects ranging from landscapes and seascapes to portraits and wildlife. Much of the artist's work has been reproduced as prints and collector's plates, and he has produced numerous contract paintings and illustrations for a variety of publishers. Additionally, Powell conducts painting workshops and produces instructional videos that employ unique methods of in-depth presentation and demonstration.

Powell holds awards for his technical art, which has been used for major projects, such as space program and environmental studies. Model making, background sets for films, animated cartoons, and animated films for computer mock-up programs have also been part of his work.

Most helpful customer reviews

5 of 5 people found the following review helpful.
paperback version is better than Kindle edition
By zevacat
I bought the Kindle edition and I am so disappointed after seeing the paperback version. The paperback version has a lot of drawings and examples which are not in the kindle edition. The kindle edition is so stripped down that it is not worth the price. Get the paperback version instead.

4 of 4 people found the following review helpful.
If you wan't to learn how to draw trees get this book.
By Zachary Ryals
This is a pretty good guide for learning to draw trees. It is not very thick.
It is very big though, kind of unruly, and it is extremely thorough.
Every page is packed with all of the essential information.
It starts out with all of the essential tools like most drawing books
and ends with a series of examples on how to draw specific species
of trees.
If you wan't to learn how to draw trees get this book .

2 of 2 people found the following review helpful.
Really Good
By Al
Just what I was looking for! Seems like it can be easily used by beginners, and is very sketch-oriented--no watercolors, which was a plus in my case. It is very short, leaving me to wish there was a bit more tips and examples, but for what it had it was great!

See all 21 customer reviews...

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Ashtanga Yoga is a graceful, athletic type of yoga that has become extremely popular in recent years. Here, Kino MacGregor, a disciple of Sri K. Pattabhi Jois, the great modern guru who developed Ashtanga Yoga, gives a comprehensive view of the practice and shows how Ashtanga is fundamentally a path of spiritual transformation and personal development.

MacGregor delves into the history and tradition of Ashtanga Yoga and reveals how its philosophy manifests in contemporary lifestyle and dietary choices. She also explains the essential connection of breath, posture, and gaze that is the core of the practice. Her clear, step-by-step instruction of the Ashtanga Yoga Primary Series—including standing, seated, backbending, twisting, hip-opening, and closing postures—is a wonderful initiation for those who are new to the practice, and it will motivate experienced yogis toward perfection of the form. Throughout, MacGregor shares her own personal yoga journey and her devotion to yoga as a path of self-realization in a way that will inspire all practitioners.

• Sales Rank: #41353 in Books
• Brand: Brand: Shambhala
• Published on: 2013-06-04
• Released on: 2013-06-04
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .60" w x 8.50" l, 1.68 pounds
• Binding: Paperback
• 240 pages

Features

• Used Book in Good Condition

Review
“The Power of Ashtanga Yoga accomplishes something fantastic . . . Kino manages to incorporate everything you ever wanted to know from a yogi. She seamlessly incorporates personal experiences, useful gems of wisdom, and detailed technical knowledge of the practice.”—Huffington Post

“Kino MacGregor is a dedicated student and teacher of Ashtanga Yoga and she has wonderfully shared her insights, thoughts, and guidance in this book.”—David Swenson, author of Ashtanga Yoga: The Practice Manual
 
“I highly recommend The Power of Ashtanga Yoga. Not only is it chock-full of practical advice and tips for the beginner and for those with injuries or obstacles, it also treats asana practice as a fine contemplative art by its emphasis on smooth, focused movement in and out of the postures in synch with the breath. Its presentation of the subtle and deeper aspects of yoga is clear and accessible, making this book useful for all types of practitioners.”—Richard Freeman, author of The Mirror of Yoga
 
“Kino MacGregor is gifted not only as a practitioner of asana but also as a writer and portrayer of the deeper aspects of yoga. She easily traverses such diverse terrains as spirituality, scripture, health, relationships, anatomy, and of course postural alignment and technique.”—Gregor Maehle, author of Ashtanga Yoga: Practice and Philosophy and Pranayama: The Breath of Yoga
 
“An excellent, well-researched book that explores the philosophical, spiritual, and physical dimensions of Ashtanga Yoga in a way that is informative, inspirational, non-dogmatic, and easy to understand.”—Tim Miller, Director of the Ashtanga Yoga Center, Encinitas, California
 
“In this marvelous book, Kino MacGregor shows us why she is so highly esteemed worldwide among Yoga teachers. She is not only a miraculously proficient practitioner, but also a skilled and compassionate teacher who knows the heart and essence of Yoga as a spiritual path leading to enlightenment.”—Jack Forem, author of Transcendental Meditation

“Anyone with an interest in yoga—from a bookstore browser to a dedicated practitioner—will find something to engage their mind, open their heart, and nourish their spirit in The Power of Ashtanga Yoga. Inspirational, heartfelt, and practical, it is an invaluable roadmap to your infinite potential.”—Frances Cole Jones, author of How to Wow 

About the Author
Kino MacGregor is one of only fourteen people—and the youngest woman—in the United States to receive certification to teach Ashtanga Yoga from its founder Sri K. Pattabhi Jois. She has an international following of her own, and a busy schedule of teaching gigs at seminars and yoga conferences worldwide. She is a life coach and has a Master's Degree from New York University. MacGregor and her husband, Tim Feldmann, are the founders of the Miami Life Center (www.miamilifecenter.com), where they teach daily classes, workshops, and intensives together. MacGregor was featured in Yoga Journal as one of the top twenty-one rising stars of yoga. Her website is www.kinoyoga.com.

Most helpful customer reviews

56 of 59 people found the following review helpful.
Ashtanga Primary Series for new and yet also long term practitioners
By A. J. Hall
I was so looking forward to this book that I contacted the publishers to ask for an advanced review copy for my Home Ashtanga Blog. This review is based on the copy they sent me last week.

If you are already familiar with Kino's teaching, take a moment and think what you were expecting and hoping Kino's book would be like.......yep, it's EXACTLY like that. Every posture crammed full of the tips, hints and encouragement we've come to expect from her DVDs and YouTube videos. Plus some surprises. Home Ashtangi's will love it, shala students too but teachers perhaps for the seemingly endless supply of ideas to help their students. This is Kino at her best.

Complete beginners might find the detail Kino goes into in the posture descriptions intimidating or overwhelming at first glance and yet these descriptions are made of step by step instructions and suggestions for making the full expression of the postures possible but more importantly safe. Read through them, take note of the cautions and explore the different suggestions and finer points of technique as you develop your practice.

This isn't a glossy picture book but a serious treatment of the nature, attainment and purpose of asana in the Ashtanga practice of the Krishnamachaya/Jois lineage. It has a strong focus on the spiritual or mindful dimension of the practice, of the energetics of practice, of the breath and the bandhas (as well as how to actually go about engaging and employing them).

No surprise to anyone who's followed Kino's work perhaps but yes there is a section on jumping back and through, the technique in Ashtanga for moving from one posture to the next with grace and elegance, including the challenging lotus jump back from postures like Kukkutasana and padmasana should you choose to explore it. This is found in a chapter on Strength : The Yoga of true power, where Kino looks more closely at the bandhas, the network of interlinked techniques, that can make a radical difference in all areas of your practice.

"...Over time you will be able to activate this whole network of movements in one fluid contraction". p175

Chapter 10 on Strength also includes a subsection on The Quiet Strength of a Woman's body.

"Contemporary dogma of what is possible for men and women contribute to what yoga practitioners believe is possible for male and female bodies. If you are a woman, you may wonder whether you are the wrong shape, size, weight, gender to be able to catapult your hips through the air and resign yourself to being just flexible. But this type of thinking undermines a true sense of the power for either gender.
In yoga there is an unfair assumption that all men effortlessly perform gravity-defying lifts and all women snake their way into positions a contortionist would envy. While the mind-set of teachers and students often perpetuates some traditional gender roles, reality tells a different story. There are men who are hyper mobile and unable to lift their butts off the ground, and there are women who are stiff as a board but can balance unwaveringly". Kino Macgregor -The Power of Ashtanga yoga p172

Kino is an enabler. This book is all about what is possible and, more practically, how it's possible as well as the possibilities this practice opens up. This enabling feeds through the whole book, every posture has a wealth of tips and hints for engaging X, facilitating Y and achieving Z. It's very much a hands-on book, the focus is on helping you not just to get into an asana but to achieve greater comfort and steadiness (in life as well as in practice). As such I find myself asking 'Who isn't this book for?' It's ideal for the beginner whether starting at in a shala or studio with a teacher or at home with a book and a dvd (she mentions the home practitioner, myself). But it's also for somebody who has practiced for a number of years and wants to not just tidy up the alignment of a posture but to achieve greater facility at every stage of the practice. Many of the instructions or rather suggestions that Kino includes I've come across before, most no doubt from her own Youtube channel and tutorials but never so many in one place and in and for every posture. As such this is also strikes me as an excellent resource for the teacher.

The Amazon preview shows the Chapter heading but not the subsections, these include

My yoga Journey
The heart of Ashtanga
Practical guidelines for yoga practice
Getting started in your practice
Listening to the wisdom of your body
The ancient origins of Yoga poses
The origins of Ashtanga Yoga
Ashtanga Spiritual practice
Ashtanga Physical practice
Finding your teacher
The heroic Healing journey of Yoga
How yoga poses really work
Drishti; single pointed gaze
Gazing with the lamp of knowledge
The Magic of the breath
Relax and breath into it
Ujjayi: The breath of life
Granthis
The ritual of Vinyasa
The Ashtanga yoga diet
The hidden power of food
Ahimsa; The Yogic Diet of Nonviolence
Ayurvedix Guidelines
Cleansing and Purification
Practice yoga. heal the planet. The spiritual Journey of Asana: Yoga beyond bending
Stretching your mind
Walking the spiritual path
Life lessons on the yoga superhighway
Revela your true self
Complete healing
Strength: The yoga of true power
The quiet strength of a woman's body
Bandhas
Mula bandha
Udiyana bandha
Foundation
Direction in strength
How to jump back
How to jump through
How to jump back from lotus position
Chakrasana
Opening mantra
Closing mantra
Sanskrit vinyasa count

Some examples here's

Kino on the breath...

"If you focus solely on attaining the asanas when you practice, you will most likely sacrifice the breath for the form, but the ends do not justify the means in Yoga. In fact, the means themselves are the ends. Yoga is about the journey and the process and if there is no space to allow a deep inhalation and exhalation to be your guide, there may never be space for you to be calm in your life" p27

"Each breath has four distinct components; the inhalations, the space between the inhalation and exhalation, the exhalation and the space between the exhalation and inhalation. It is important to give a gentle pause between the breaths so you float effortlessly for a moment between each inhalation and exhalation. When you advance to more in-depth breath work that includes holding or retaining the breath the space between breaths will be crucial." p28

Kino on Method

"The Ashtanga yoga practice recommends that you practice six days a week. traditionally, this practice was meant to be done in the Mysore style" in which you follow your own breath and movement rather than the guidence of a teacher leading a class through the same movements....Memorising the postures allows you to focus internally, which is the real goal of yoga. When you do not know what you are doing next your attention will always be on your teacher rather than within yourself. Once you memorise the sequence of postures that your teacher determines is right for you, the entire practice moves to a deeper, subconscious level" p12

...and on a Six day practice

"Taking a six-day- a-week practice is often hard for for new students, so I usually recommend that they begin with three days. Once they establish that level of regularity, they can add one day every six months until they reach the full six days a week. To make the transition from a fitness orientated approach to yoga to a devotional one, you need to practice consistently and regularly. A daily spiritual ritual in which you take time to connect internally to a deep sense of yourself requires dedication. The six day requirement is meant to develop the kind of mental, spiritual and devotional determination needed to progress along the internal path of yoga" p12

The Amazon preview looks mostly at the first couple of chapters but lets take a look at how the asana are treated in Part 2 of the book..

In many if not most of the postures, Kino is addressing Beginner, Intermediate and Advanced practitioners. In Ashtanga we all do Primary series on Friday's whatever series we may be practicing the rest of the week. Marichiyasana D, a deep twisting posture is a good example of this, Kino includes beginner modifications, a standard intermediate expression of the asana as well as the advanced version of the pose with both sit bones down on the mat. This is a unique feature of Kino's book I think, it's a reminder that we can approach this first series of Ashtanga as Intermediate and advanced practitioners. And besides, some Yoga practitioners may have no interest, for now at least, in exploring the more advanced Ashtanga series, Kino provides options for taking a more advanced approach to the Primary series.

I should perhaps also mention that the asana sections each have an introduction outlining the characteristics of the group of postures. So there's a Surynamaskara section, Standing section, seated, backbends and finishing.

There's also an appendix outlining the vinyasa count for every posture, showing which movement for which stage of the breath, nice and handy having it in a separate section. There's a practice cheat sheet at the back too of just the photos of the postures in the sequence and a nice, quite extensive, glossary too with a strong focus on how Pattabhi Jois would introduce these terms

This book is very much part of and of the tradition and yet not in anyway dogmatic, that's a neat trick. There is a lot going on in the book, it's smart but approachable. Kino seems to have a knack for presenting the practice in a way that draws you in yet without dumbing the practice down.

I'll be coming back again and again to the asana descriptions of course, I haven't been able to flick through the book without wanting to jump on the mat to try out one or more of the of the hints and/or suggestions, and as soon as I finish my practice I find I want to grab the book again to check how she approaches a particular asana or vinyasa that I may have felt could have been a little better in practice that morning.

But I'll also be coming back to it for the ideas around the physical elements of practice, many of them will strike you as surely obvious as if they are things we've known all along concerning the practice of Yoga yet never verbalised, timely and well put reminders of what is perhaps most important in the practice .

"If you approach your practice from the perspective of attaining the perfect asana, sooner or later you will fail. even the strongest and most flexible person will get injured or grow older one day. Eventually a new generation of stronger, more flexible students come through. When all this happens, it is not time to quit or punish yourself. Moments of perceived failure are often when the most yoga happens. Sometimes we have to gain the perfect yoga body and the perfect yoga poses just to 'lose" it to injury or age; thus, we see that the whole point of the journey has nothing to do with asana after all. Yoga asks you to tap into a place within yourself that has faith in results that are not immediately evident. " p52

26 of 26 people found the following review helpful.
Best Yoga Book on the Market
By Brian M Penny
Many yoga teachers seem to be afraid of imparting all of their knowledge. They hold back because they view their books, videos, etc. simply as marketing tools to get you into their classes. It's just merchandise, and you're just a consumer. This train of thought leads to these yogis holding back important information. Kino does the opposite, proving both her teaching ability and business savvy by explaining everything in as much detail as possible. Between her books and videos, she easily imparts more than 200 hours' worth of yogic wisdom for anyone willing to put in the effort. Instead of only giving you a sample in hopes that you'll come to her and give her your money like many other teachers, she gives every ounce of information she can fit into each situation she's teaching.

Because of her deep well of knowledge, The Power of Ashtanga Yoga works on its own as a teacher. In it, Kino manages to incorporate everything you ever wanted to know from a yogi. She seamlessly incorporates personal experiences, useful gems of wisdom, and detailed technical knowledge of the practice. Rather than bombarding you with an overload of technical information or droning on and on about generic information as most yoga books tend to do, Kino stops quite often to relate the information on a personal level. She manages this quite well because she doesn't hold back. Sometimes it feels like she knows the objections you have to a concept before even you do.

64 of 74 people found the following review helpful.
Good But Missing On Key Elements
By Infinite Mind
I have been practicing Ashtanga Yoga off and on for 10 years. I taught myself using Power Yoga by Beryl Bender Birch and then Ashtanga Yoga by David Swenson. Eventually I sought the assistant of a qualified instructor who seemed amazed that I learned this style via books. I am always looking to expand my knowledge of Ashtanga and seek that know-how wherever I can find it. I recently started to follow Kino online and think she is very thorough and knowledgeable when it comes to Ashtanga. Excited to get this book I took a trip to a local book store. As I stated Kino goes very in-depth about Ashtanga and the benefits of the practice as well as diet. The one area that she doesn't cover in great detail or much at all are the modifications for beginners and those who are not as open in certain areas of their bodies. Except for a few poses there are no in-depth explanation of modifications or accompanying photographs. The lack of modifications is where this book falls short for me, which is why I am surprised by all the 5 star ratings, which I find suspicious. David Swenson's Ashtanga Yoga has modifications for EVERY pose. Im surprised because in many of Kino's YouTube videos she offers modifications for many poses especially the Vinyasa. I'm sure for many folks learning from a qualified instructor is best, but there are always exceptions. I'd say this book is more to add to your Ashtanga Yoga library but not a definitive guide for practice.

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• Sales Rank: #19410 in Books
• Published on: 2013-02-25
• Original language: English
• Number of items: 1
• Dimensions: 10.10" h x 1.10" w x 8.00" l, 2.75 pounds
• Binding: Hardcover
• 592 pages

Most helpful customer reviews

7 of 7 people found the following review helpful.
A very cost effective solution
By Zhaofeng Ye
Bought this book for my MBA CFclass. The content in the chapters are the same as the American version. The only difference in the book are that the data case at the end of each chapter is somewhat different from the American version; but you can find the updated data cases, which appear on the American version, on the publisher's official site if your professor requires you to do one or some of them.

One more thing is that it takes a long long time to be shipped to you if you are buying from foreign sellers. So if you plan to get one of this from foreign sellers, anticipate at least two weeks before you actually can get the book.

7 of 7 people found the following review helpful.
Different ISBN
By rozanna
Didn't realize that this was an international version. There was no information showing this and I was shocked to find out.

4 of 4 people found the following review helpful.
Great book but wouldn't categorize it as a useful texbook
By Amazon Customer
Great book to read casually but as a textbook, it seems to just put details on things that should be common sense to business students.

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• Sales Rank: #3316808 in Books
• Published on: 1983-05-12
• Released on: 1983-05-12
• Original language: English
• Binding: Paperback

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0 of 1 people found the following review helpful.
Book of House Plants
By Iris K.
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