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The Gruffalo, by Julia Donaldson
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A mouse is taking a stroll through the deep, dark wood when along comes a hungry fox, then an owl, and then a snake. The mouse is good enough to eat but smart enough to know this, so he invents . . . the gruffalo! As Mouse explains, the gruffalo is a creature with terrible claws, and terrible tusks in its terrible jaws, and knobbly knees and turned-out toes, and a poisonous wart at the end of its nose. But Mouse has no worry to show. After all, there’s no such thing as a gruffalo. . . .
- Sales Rank: #2902 in Books
- Brand: Penguin Books
- Model: 9780142403877
- Published on: 2006-03-02
- Released on: 2006-03-02
- Original language: English
- Number of items: 1
- Dimensions: 10.63" h x .6" w x 8.56" l, .31 pounds
- Binding: Paperback
- 32 pages
- An amusing story of confidence and an unlikely creature
- Inspire confidence, encourage imagination
- Cleverly written by Julia Donaldson
- Lively illustrations by Axel Scheffler
- Engaging rhymes, bright pictures
From Publishers Weekly
The eponymous character introduced by this British team owes a large debt to Maurice Sendak's Where the Wild Things Are. When Mouse meets Fox in the "deep dark wood," he invents a story about the gruffalo, described very much like Sendak's fearsome quartet of wild thingsA"He has terrible tusks, and terrible claws, and terrible teeth in his terrible jaws." The gullible fox runs away when Mouse tells him that the gruffalo's favorite food is roasted fox. "Silly old Fox!" says Mouse, "Doesn't he know?/ There's no such thing as a gruffalo!" Owl and Snake follow suit until, with a turn of the page, Mouse runs into the creature he has imagined. Quick-thinking Mouse then tells the monster, "I'm the scariest creature in this deep dark wood./ Just walk behind me and soon you'll see,/ Everyone for miles is afraid of me." Fox, Owl and Snake appear to be terrified of the tiny mouse, but readers can plainly see the real object of their fears. By story's end, the gruffalo flees, and Mouse enjoys his nut lunch in peace. Despite the derivative plot line, debut author Donaldson manipulates the repetitive language and rhymes to good advantage, supplying her story with plenty of scary-but-not-too-scary moments. Scheffler's gruffalo may seem a goofy hybrid of Max's wild things, but his cartoonlike illustrations build suspense via spot-art previews of the monster's orange eyes, black tongue and purple prickles until the monster's appearance in full. Ages 4-8.
Copyright 1999 Reed Business Information, Inc.
From School Library Journal
PreSchool-Grade 3-To save himself from being eaten by a fox, an owl, and a snake, an enterprising mouse declares that he is having lunch with a monster whose favorite food just happens to be the animal who is at that moment threatening him. With each telling, the gruffalo becomes more menacing until all of the rodent's tormentors leave him unharmed. The mouse scoffs at them, for everyone knows "There's no such thing as a gruffal...." But a turn of the page reveals-you guessed it-a gruffalo, that thinks the mouse will "...taste good on a slice of bread." Undaunted, the rodent devises a plan to frighten the monster off. Young readers will love the humor in this preposterous story of a trick that backfires and the way the protagonist talks himself out of his difficulties. Best of all, they will relish being in on the joke as they join in the reading of the delightfully repetitious rhyming text. Scheffler's cartoonlike illustrations, rendered in watercolor, colored pencils, and ink, are large and well paced. Facial expressions contrast the animals' alarm with the jaunty nonchalance of the mouse. The double-page spread that reveals the gruffalo-terrible claws, black tongue, poisonous wart, purple prickles, and all-is just scary enough to tickle but not frighten youngsters. Serve this one for a rollicking good time.
Marianne Saccardi, Norwalk Community-Technical College, CT
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
The action of this rhymed and humorous tale centers upon a mouse who ``took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good.'' The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the ``scariest creature in the deep dark wood,'' and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 4-8) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
112 of 120 people found the following review helpful.
not original text!
By knockknock
I bought this to replace our current tattered read-so-much version and the copy I received has been altered from the original text! I have no idea why except that some clever fellow decided that Americans wouldn't recognize some of the layout of the language - as the book is written with British wording - ridiculous! The part that says "oh my" fox said should read "I'm off!" Fox said .. this has totally changing the rhyme in some places. Not the book we've grown to love.. sending it back for the same the hard cover one I currently have and hopefully it will not be with the altered text!
64 of 68 people found the following review helpful.
Share it with your kids!
By Mike...M
A review of the hardcover edition applies to the softcover as well:
The Gruffalo is a delightfully irreverent story about a mouse and an imaginary monster, sure to please grown-ups as well as children. This is a case where you CAN judge the book by its humorous cover, and you won't be disappointed. Axel Scheffler's brightly colored and too-silly-to-be-really-scary illustrations set the tone for this light-hearted romp through multiple layers of comic irony; and Julia Donaldson's marvelous doggerel perfectly realizes the mouse's sprightly character.
It's much more than great fun, though. The Gruffalo also has tremendous resonance with familiar elements of Western culture. This is a story that Carl Jung, Mircea Eliade, and Joseph Campbell all could love. It's a perfect little Hero's Journey: it's got "the deep dark wood," a confrontation with the Monster Within, and a victorious return to the ordinary world where a nut is good. Had this been a fable of Aesop, we could expect our hero to be eaten right in the middle, and we would be left with some such lesson as "Don't be too clever for your own good." Instead, our mythical mouse makes his Eternal Return bearing a subtle wisdom that echoes the teachings of the world's greatest mystics.
The very structure of the story is classic, reminiscent of the great repetitive folk tales, such as "The Three Billy Goats Gruff," "The Three Little Pigs," or "The Little Red Hen." The mouse's encounter with a dangerous predator is repeated with slight variation in the wording three times (yes, three times, as in three crows of a cock, three days in the belly of the fish, three temptations under a bo tree...) then, after a dramatic climax, the story works its way back with another set of three variations as the mouse retraces his steps on the path toward the real climax.
The Gruffalo's greatest fun for grown-ups comes from its heaps of irony. First, there's the expectation of an Aesopian fable. That expectation is thwarted by the clever mouse. Second are the characters of the animals: they're all wrong. The mouse is not meek and fearful; he's bold and confident, a real smart-aleck, in fact. Then the fierce predators turn out to be wimps. Not only that, these are the exact animals that always represent intelligence in Western folk literature -- the clever fox -- the wise owl -- the subtle snake. Here they are all outwitted by the littlest of animals. Third is the basic irony of the mouse's meeting with the gruffalo -- maybe the mouse is not so clever, after all. Fourth, the terrible monster...! Fifth, he went through all that for a nut. Sixth, that story was a profoundly archetypal tale in goofy rhyme, with cartoon pictures. Seventh, I actually wrote this review, and you actually read it. What's next? Am I going to tell you that Harvey Potter's Balloon Farm is a model for education reform? (well . . . yes!)
Finally, The Gruffalo really is a fun and loveable book. One of the best for sharing with your kids.
24 of 26 people found the following review helpful.
One Of The Best!
By Shopaholic
I read this book to my kindergarten class and they LOVE it! The children act it out, sequence the story through pictures, journal about it and talk about it for months it is one of their favorites and mine too! I love reading it because they get so excited and it is so much fun to read over and over!
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