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"This book brings together a remarkable number of industrial recipes for all types of confectionery. In its second edition, this book takes over where Skuse's Complete Confectioner left off after a hundred years of providing detailed recipes for the chocolate and sugar confectionery industry" Food Trade Press, England

• Sales Rank: #3847124 in Books
• Published on: 1998-06-30
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x 1.19" w x 5.51" l, 1.62 pounds
• Binding: Hardcover
• 464 pages

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0 of 0 people found the following review helpful.
Four Stars
By Paul Tardieu
still a good reference

See all 1 customer reviews...

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[G814.Ebook] Fee Download Labor and Legality: An Ethnography of a Mexican Immigrant Network (Issues of Globalization:Case Studies in Contemporary Anthropology)By

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Winner of the 2011 ALLA Book Award honorable mention!

Labor and Legality: An Ethnography of a Mexican Immigrant Network is an ethnography of undocumented immigrants who work as busboys at a Chicago-area restaurant. Ruth Gomberg-Muñoz introduces readers to the Lions, ten friends from Mexico committed to improving their fortunes and the lives of their families. Set in and around "Il Vino," a restaurant that could stand in for many places that employ undocumented workers, Labor and Legality reveals the faces behind the war being waged over "illegal aliens" in America. Gomberg-Muñoz focuses on how undocumented workers develop a wide range of social strategies to cultivate financial security, nurture emotional well-being, and promote their dignity and self-esteem. She also reviews the political and historical circumstances of undocumented migration, with an emphasis on post-1970 socioeconomic and political conditions in the United States and Mexico.

Labor and Legality is one of several volumes in the Issues of Globalization: Case Studies in Contemporary Anthropology series, which examines the experiences of individual communities in our contemporary world. Each volume offers a brief and engaging exploration of a particular issue arising from globalization and its cultural, political, and economic effects on certain peoples or groups. Ideal for introductory anthropology courses-and as supplements for a variety of upper-level courses-these texts seamlessly combine portraits of an interconnected and globalized world with narratives that emphasize the agency of their subjects.

• Sales Rank: #53565 in Books
• Published on: 2010-08-25
• Released on: 2010-08-25
• Original language: English
• Number of items: 1
• Dimensions: 5.50" h x .30" w x 8.25" l, .45 pounds
• Binding: Paperback
• 184 pages

About the Author

Ruth Gomberg-Muñoz is an assistant professor in the Department of Anthropology at Loyola University Chicago. Her work has also been published in American Anthropologist, Human Organization, and the DuBois Review.

Most helpful customer reviews

16 of 16 people found the following review helpful.
Fabulous well written book that can build a deeper understanding of undocumented immigration
By Jen Tilton
I'm teaching this book in an introductory college class with fantastic results. It combines compelling personal stories of 10 undocumented immigrants with great historical and public policy discussions that helps my students understand the history of interconnections between Mexico and the US, the complex reasons people migrate and the effects of US immigration policies. It addresses one of the most contentious debates in America with the fairness, dignity and complexity it deserves. I would strongly recommend it for a range of classes -- It would work in introductory anthropology, ethnic studies, urban studies courses as well as in other courses that explore globalization, immigration and public policy. It's accessible enough for introductory students but not at all over-simplified. A perfect mix.

7 of 7 people found the following review helpful.
Coherent, Well-Researched Account and Analysis of a Group of Very Interesting People
By wolfster68
I had this book assigned for a class, but once I picked it up I couldn't put it down. I even stayed up very very late to finish. The book follows a group of of normal guys and tells their stories as people without papers. It doesn't try to demonize or canonize them as saints. It only shows them as human beings trying to adapt and survive in a unique situation. Furthermore, there is no unnecessary victimization of the workers in this book. Rather, the author tries to show them as active agents with limited choices.
While the day-to-day personal narrative portions keep the reader very interested, these are interspersed among insightful sections of well-researched analysis and historical/political context.
I learned a lot from this book and I would recommend it highly to anyone who has even a small interest in immigration and the lives of immigrants.

5 of 5 people found the following review helpful.
a must-read on immigration
By mmp
A friend of mine recommended this book, which is about undocumented immigration from the point of view of undocumented workers. I was skeptical, because I have no tolerance for political rhetoric, but this book is humanizing and easy to access. In fact, it reads sort of like a novel, in that it draws you in with personal stories, but it also seems to be well-researched with smart political and historical analysis. I would recommend this book to anyone who wants more information about migration in the United States. I learned more about undocumented migration from reading this book than I have from following the news for the last five years.

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Dust jacket notes: "The most valuable book in existence on the craft of painting, this represents the results of twenty-five years of teaching and practical experience. It has steadily built up a reputation over the years (it first appeared in translation in 1934), and has become the accepted authority on questions of technique and materials. This edition contains revisions and corrections by the translator, Dr. Eugen Neuhaus, Professor of Arts, Emeritus, in the University of California at Berkeley. An appendix for those unfamiliar with the metric system lists by chapter, page, and line the American equivalents of the measurements used in the text. With eight illustrations."

• Sales Rank: #2278838 in Books
• Published on: 1949
• Ingredients: Example Ingredients
• Binding: Hardcover
• 435 pages

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1 of 1 people found the following review helpful.
A Classic
By Napa Artist
This book first came out in the 1930s and presents the prevailing methodology of artist's materials of that era. The book contains no illustrations and is meant to be read, not looked at. The information presented in this volume is both specific and broad, and certainly for the patient reader who takes time to study what it has to say, the book will yield much fruit. This volume contains a wealth of information and together with Ralph Mayer's "The Artist's Handbook" and Charles Eastlake's "Methods and Materials of Painting of the Great Schools and Masters" presents a comprehensive and thoughtful overview of traditional art materials and how these were handled during the past four centuries. I highly recommend it.

0 of 0 people found the following review helpful.
For the classical artist
By ArtsyTara75
A very useful book. I like it more than "The Painter's Handbook" by Mark David Gottsegen. Max Doerner gives the artist insight into how the old masters prepared their canvases and the materials they used. "The Materials Of The Artist" is for the classically trained artist. For instance, he mentions the use of Champagne (or French) chalk as the best in the making of gesso. As for making paints he discusses the use of pigments, that although often toxic yield beautiful colors if prepared carefully.

8 of 9 people found the following review helpful.
Excellent but might not be the whole story
By Brian Asquith
Max Doerner (1870-1939) taught at Academy of Fine Arts in Munich for 25+ years, and in his day an major expert on painting techniques. This book has played a major role in art history and research since the first day it was published. Do note the book was first published in 1934, and then translated from German, hence the writing style can be somewhat turbid. Perseverance pays with there being more information in here than you can shake a stick at.

My comment about being careful is a result of recent studies of old master paintings. The old masters would typically have a team of apprentices working alongside them, mixing paint, painting parts of the painting that the master was probably too bored to bother with (as well as good training for the apprentice) etc. The Master/Apprentice setup allowed for a continuous stream of knowledge being passed along the generations. However as oil paint technology advanced, in particular the ability to buy premixed paints off the shelf, the painter no longer needed a team of apprentices. He could pretty much get by on his own. Hence there was no longer anyone for the painter to pass on his knowledge to. This resulted in a considerable amount of technical knowledge being lost. (A good example is the recent theory promulgated by David Hockney that the old masters were able to paint such realistic paintings as they used rudimentary projection techniques to place a guide image on the canvas, overwhich they painted. No one knows if he is right or wrong).

From the 1800's on, technical experts such as Doerner and Charles Eastlake ("Methods and Materials of Painting") began to impart their wisdom on how the old master paintings were created. But the techniques thay had available were very rudimentary, more often than not being a case of the expert trying to reproduce a certain style and looking at the painting surface close up. The experts proferred their theories and techniques, often with much aplomb leaving no room for doubt. Unfortunately they were often quite off the mark - they could emulate a style somewhat but never 100%. There are too many variables involved even for a discerning eye. It has only been with recent advances in scientific analysis, usually chemistry based, that a truer understanding of the old master technique is finally being determined. Van Wettering's excellent "Rembrandt - the painter at work" book details the findings of extensive research carried out on a number of paintings considered to have been painted by Rembrandt. The book is 340 pages, and they still haven't got all the answers. But what they have done is to throw in to doubt the theories and techniques of the 19th/20th C experts.

There is a welter of information in this book, but if you are trying to perfectly replicate a certain old master painterly technique, and failing to do so, then be warned the experts might not be such experts afterall.

All said and done, I do recommend this book for the wealth of information it contains. Along with oil painting it addresses pastels, tempera and mural techniques. Even if you do take the techniques in here as verbatim for an old master then there is all likelihood that you'll create a great painting.

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• Sales Rank: #6645 in Books
• Published on: 2016-08-02
• Released on: 2016-08-02
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x 1.20" w x 8.30" l, 2.64 pounds
• Binding: Paperback
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Of all the Prep Books for AP CALC, this is the BEST (and I bought them all)
By Amazon Customer
My son is currently taking Calculus AB and will be moving into Calculus BC, I purchased about 5 different prep books to help him prepare for the exam (both AB, BC, and Clep). At first, I thought going with the BC book would suffice for questions for the AB part of the exam and for most people, if you are doing both, you can get by with just the BC book. However, since my son's teacher asks questions from actual AP tests on his exams, I could not find enough Free Response AB questions in the BC book, so I bought the AB book also to get more questions. There is a lot of overlap in content in both the books by the same author. However, this is HANDS DOWN the best book from all the different groups in terms of questions, examples, preparation, etc. If you only buy one book, THIS (or the BC version) is the one to get. It comes with a good review of each unit, problems to practice for each unit and shows you the answers worked out for each set of problems. It also has 3 full practice tests with the problems worked out. I really liked that once you worked through them all you could find patterns of the types of problems to expect and how to do them. I feel that this book will prepare my son better than any of the other books we have for AP Calculus. He is also going to go ahead and take the Clep exam and we have a different book for that, the Clep, has a slightly different "flavor" than the AP Calc so if you are considering that test in addition or instead of, I would still suggest this book and the books with practice clep tests. This still helps you better than any clep books in overall review but the clep books will help you prepare for their type questions. The BC book, as I said, repeats content but adds the extra units with sequences and series and the few other topics scattered throughout such as parametric​ equations, etc.

0 of 0 people found the following review helpful.
One Star
By Gabriela Yarhi
Undetailed, lot of errors in practice problems. Really hard to learn when the book is wrong...

0 of 0 people found the following review helpful.
Big Help
By Sus35
Huge help for test preparation.

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Cracking the AP Calculus AB Exam, 2017 Edition: Proven Techniques to Help You Score a 5 (College Test Preparation), by Princeton Review, D PDF
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[N507.Ebook] PDF Ebook How to Beat An Ebay Suspension 2015, by John Martin

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• Sales Rank: #109113 in eBooks
• Published on: 2014-12-29
• Released on: 2014-12-29
• Format: Kindle eBook

Most helpful customer reviews

3 of 3 people found the following review helpful.
Well It Actually Worked
By corporatepro
First of all, I want to thank you for writing a book that actually lives up to what it promises. Secondly, I think it is only right to inform other readers that I had waited a solid, 2 months before leaving a review on this book. I did this because I wanted to see if Ebay or Paypal would detect me within that frame of time, and suspend my account again, but they didn't...at least not for the last two months. This book is directly to the point, and told me exactly what I needed to do with nothing in between. It is up to date, and all the information is correct. Thanks again for writing such a good book!

2 of 2 people found the following review helpful.
Magic book to start your sell with zero experience and techonology knowledge!
By Michael
This was a very good book. It was more than descriptive and clear, being that I do not know computers and technology all too well, and I was able to start selling a few hours after I read the book. Thumbs up, and thank you very much John!

1 of 1 people found the following review helpful.
I am not sure I am going to be able ...
By Ashley
I am not sure I am going to be able to make an account as I previously used an EIN number for my ebay and paypal and I am not sure if you can apply for more then one. If you can I think this should be talked about in this book, also you say you can use google voice but you can use a different email then google if you used google before, well that would mean making a new google account if I already used google voice and if i already used gmail. So there are a few things that needed to be a little clearer, I also have hidemyass before buying this book but i have it set to change my IP every hour so this will then flag my account and suspend it, so again more details in some areas would be helpful thanks for the info it will hopefully work for some, but again not sure it will for me as I already used my EIN and Social on ebay and paypal

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[T400.Ebook] Free Ebook DECODING THE FÉG HI-POWER, by Jerry Paregien

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There are only a few handguns in the past century that can equal the long term regard earned by the FN/Browning Hi-Power, or P-35, by its owners and users. First produced in 1935, and the result of the collaborative efforts of John M. Browning and Dieudonné Saive of Fabrique Nationale, the Hi-Power has been manufactured almost continually since then by FN in Belgium.

Once the original Browning patents for this pistol had expired, manufacturers could produce the Hi-Power without legal ramifications. One of the foremost and most prolific of those producers was the Hungarian conglomerate of FÉG, which in 1971 developed the P9, one of the most faithful versions of the Browning design ever made in quantity outside the FN factories in Belgium and Portugal. This is the story of that pistol.

Fully illustrated with over thirty detailed photographs.

• Sales Rank: #230615 in eBooks
• Published on: 2013-06-22
• Released on: 2013-06-22
• Format: Kindle eBook

About the Author
Jerry Paregien is retired from the California Highway Patrol where he served for 28 years.  During this time he served as a Firearms Training Supervisor in four different C.H.P. facilities and completed a number of police firearms instructor training programs. After retirement, he authored the California Probation Officers Defensive Pistol Training Course for use by County Probation Departments statewide. He has frequently served as a guest firearms instructor at a police academy in his adopted home state of Tennessee. He has also been a Tennessee State Certified Handgun Instructor in that state's Handgun Carry Permit Program. A Life Member of the National Rifle Association, Mr. Paregien's shooting interests extend well beyond the realm of police work. For five years he served as the Match Director of Military Rifle and Pistol Matches at his Tennessee home town's rod and gun club, as well as serving on that club's board of directors and being active in the development of range safety procedures and publications.

Most helpful customer reviews

5 of 5 people found the following review helpful.
If you think you MIGHT be in the market for a used Hi-Power, PLEASE read this book!
By Pat Patterson
DECODING THE FÉG HI-POWER by Jerry Paregien

Kindle Edition.

I am a late-comer to the world of the Hi-Power pistol. I purchased my first only a couple of months ago, and fell in love immediately.

It's an old design: 1935; the pistol is sometimes referred to as a P-35. Over the course of the years, there are an amazing number of companies that have produced the Hi-Power under license, or made an identical or similar pistol after the patent had expired.

Recently, I discovered that a fellow enthusiast had purchased a Browning Hi-Power with significant accurizing work done to it, then discovered it was not a Browning at all; the frame, which is the part of the pistol that is defined as the firearm, was manufactured by a Hungarian company known as FEG. And beyond the ethical/legal issues which abound in such a transaction, I discovered that establishing provenance on FEG pistols is peculiarly difficult. In fact, I don't know how ANYONE could make sense of the origins of a FEG pistol they may be considering.
And that's where Jerry Paregian shines light into the darkness. NOTE: It may STILL be impossible for you to determine provenance on your FEG pistol after reading the book, but at least you'll know what some of the issues are.
It had to be an act of love, to chase down as much information as he did. Not only is the manufacturer in Eastern Europe, they also closed their doors several years ago. In addition, two of the chief US importers of the FEG have also gone out of business. Despite these limitations, Jerry still did a wonderful job of getting to the core issues, as far as I'm concerned.
And by the way, here's my take-away: If I'm going to buy a used Hi-Power, I need to see for myself whether it's a Browning, or an FN, or one of the off-brands. It might shoot just as well as a genuine Browning, BUT it will not have anything like the collector value. Jerry goes into much more detail on the differences, but that's the money bit.
Even if I never touch or see a Hi-Power other than my own former Israeli police model, there are brain spaces filled by this book that I appreciate.

4 of 4 people found the following review helpful.
An absolute must for these fine Hungarian pistols
By jmiers
Unfortunately, there just isn't a lot known about these Browning Hi-Power clones, but after having 2 of them, they're every bit as good as the Brownings that they're modeled after, except...there are a myriad of model numbers, importers, and even different operating systems. If you're wondering if your FEG is a BHP-compatible clone, this is THE source for information because some are 100% compatible with 100% Browning internal operating system, some are partial compatible with an internal operating system like a S&W 39xx/59xx series, and some have a Browning internal operating system but are only 85-90% compatible.

Mr. Paragien has provided a GREAT resource for those wanting information on these inexpensive (definitely not cheap) pistols!

3 of 3 people found the following review helpful.
FEG Hi-Power pistol demystified!!
By william coetzee
Great, and maybe the only book that explains the FEG Hi-Power. The book goes into great depth to explain the similarities between the FEG Hi-Power and the Browning Hi-Power. What I found particularly useful was the part interchangeability. Thank you Jerry!!

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[J899.Ebook] Ebook A Student Grammar of Modern Standard Arabic, by Eckehard Schulz

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This accessible grammar provides a concise and user-friendly guide to the structure of Modern Standard Arabic. Using familiar terminology and keeping theory to a minimum, it is suitable for beginning students as well as those at a more advanced level. Detailed descriptions of all types of sentences are given, and numerous tables provide a clear presentation of verbs and nouns. The most familiar grammatical terms are given in Arabic as well as in English in order to help students identify them more easily.

• Sales Rank: #5644797 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2005-05-23
• Original language: English
• Number of items: 1
• Dimensions: 9.72" h x .63" w x 6.85" l, 1.45 pounds
• Binding: Hardcover
• 266 pages

Features

• Used Book in Good Condition

Review
'The author has accomplished the noble goal of user-friendliness, while simultaneously presenting numerous intricate, interwoven details, and this, in and of itself, makes it an ideal text for a course in the structure of MSA.' WORD

About the Author
Eckehard Schulz is Professor of Arabic Language and Linguistics at the University of Leipzig, an experienced teacher and translator of Arabic and the author of several books in related fields.

Most helpful customer reviews

11 of 27 people found the following review helpful.
A little too complicated for the beginner
By Super Colin Blow
Schulz's book is too complicated for a beginner; I would recommend it only for the advanced or intermediate student of Arabic. I don't like that it calls the past and present tenses "perfect and imperfect" (why not just call them past and present???) just to confuse you. To add insult to injury, the charts of verbs are different than those I learned in school. Instead of being arranged: ana, anta, anti, huwa, heya; nahnu, antum, antunna, hum, hunn...the pronouns in the verb charts are just arranged any old way. Plus, this book doesn't even cover in depth something very important: the Masdar! I think, though I'm not sure because I'm not an advanced scholar, that there are "added" extra marks above some of the letters, like the spelling is slightly different than what I have learned. Like a double dumma at the end of a word, or a kasra under a ta-marbuta for no apparent reason.

Ok, that said it certainly is very thorough, and probably appropriate for the advanced student who already knows what it is talking about. It is just not what a beginning or intermediate student needs as a reference grammar to have at his side to correct his homework or whatever, or look something up. I do not think it gives enough examples, nor does it clearly explain what it is demonstrating. This is clearly an advanced book; not something I would want to fool around with (I'm just ending Arabic 102).

14 of 15 people found the following review helpful.
Great reference guide
By S.A.S.
I've been using this book as a quick grammar reference for university level Arabic classes for several years now (picked it up soon after it came out) and don't have much to complain about. Schulz's book is concise, compact, thorough, and relatively inexpensive. The layout isn't completely intuitive and may be confusing if you aren't used to Arabic grammar references. The index is laid out nicely and is easily accessible. I have no problem using this book in class to quickly find and clarify an aspect of grammar without falling behind the rest of the students. Its the perfect complement to Arabic instructional materials like the Al-Kitaab series, which do a good job of introducing grammatical rules and structures but aren't easy to reference and lack concise explanations.

A few things are worth mentioning however...

* You need to be able to read Arabic script to effectively use the book as the examples are not transliterated.

* You should have at least a basic knowledge of Arabic before using this book, or you won't get much out of it. Its probably best if you have studied Arabic for at least a year, as you will not need this book much for the first year of study. For intermediate level students and higher this book is great for review, but if you have not been introduced to a concept previously it is difficult to learn it through this book. Combining this reference with Al-Kitaab and a competent instructor works well, and as you become more proficient in the language this book becomes increasingly useful.

* Again, to clarify; this book is not supposed to teach you Arabic grammar, it is a reference tool. To quote the preface, "Not all the rules are explained in detail since the room assumes that the user already knows Arabic and should be able to deduce the rule in question from the examples quoted." This doesn't mean the book is useless for non-advanced students, just that you need to supplement it with instructional materials (and an instructor!). I personally found the book disappointing until my knowledge of Arabic grammar grew and I could make sense of the examples and terminology.

* Depending on your knowledge of Arabic and linguistics (and Arabic linguistics in particular) you may need to study the basic lexicon before being able to effectively use this book. The grammatical concepts and terms are referred to and indexed in both English and Arabic. If you are still working on basic grammar you probably are only comfortable in one or the other, so you should use either the English or Arabic terms and not both to avoid confusion. I've found that this book is helping me to understand Arabic grammar in both languages as I try to learn the English terminology when reviewing topics, and I can now compare the grammars of both English and Arabic easier.

For example, I now know that al-marfoo3, al-manSub, al-majzum and al-amr are moods, and that Arabic contains two voices. Before I didn't associate imperative with anything else and only thought of the aforementioned concepts in relation to their case ending rather than their grammatical function. If you had asked me what accusative or jussive meant before I got this book I wouldn't have had a clue.

The reviewer Colin is right that this book isn't for the beginning student, but it isn't just for advanced students either. I think he was looking for an instructional text, which may explain much of his review. Still, in response to some of his points... Masdar is a very basic concept and isn't too difficult compared to many of the other grammatical structures so it doesn't need many pages for elaboration. The verb charts are organized correctly, on page 12 Schulz clarifies with, "The order of persons in the Arabic conjugational paradigm is 3rd person - 2nd person - 1st person. This complies with Arab tradition and the practice pursued in nearly all Arabic textbooks." The dual forms are necessary to learn for literary Arabic, though for beginning students they can be ignored. The "'added' extra marks" are diacritics denoting the short vowels and are absolutely essential for literary (esp. classical) Arabic as they mark case and help identify the form used. If you have not used vocalized script before you certainly haven't progressed far enough to need this book!

The reviewer Just Another Linguist also has some misconceptions about the text. The book is organized into three parts: verbs, nouns, and syntax. Within each section the concepts are organized into further sub-divisions. It all flows nicely and the organization works well for a reference grammar, though if you wanted to learn Arabic grammar the organization is not suited to working through the whole book which may be the reason for such comments. I haven't noticed anything in the way of typographical errors, and certainly nothing to diminish the quality the text. The complaint about price feels odd to me as this is probably the cheapest Arabic-study related book I own and it is well worth the price!

I wasn't going to write a review for this book until I saw the existing ones, which I don't feel appropriately represent the text. 'A Student Grammar of Modern Standard Arabic' is a great reference guide that is best used in conjunction with other instructional materials or by those with decent existing knowledge of Arabic grammar. Its compact and easily transportable, well-organized and indexed, has examples for everything, isn't very expensive, and will be useful for as long as you continue to use/study Arabic.

2 of 3 people found the following review helpful.
indispensable
By Joseph L. Anderson
Perfect quick reference guide for advanced-intermediate readers of Arabic. Print quality is great. Typos are few if any (fewer than one would expect, in any case). Don't pay any attention to others' complaints about the organization being weird. That charge is simply not true. The explantions are concise, but thorough and well-worded. The table of contents and English index are straight-forward and user-friendly. All of this combined with an (invaluable) Arabic function-word index make this book more than adequate (I would even say indispensable) for around 95% of an advanced learner's grammatical reference needs. I also recommend acquiring Karin Ryding's Reference Grammar of Modern Standard Arabic as a back up, for the (less than) 5% of the time when you need more detail on some obscure irregular (hamzated/weak/hollow/defective, etc) verb/participial form in a certain measure (for example). Believe me, in most cases Schulz's book has everything you will need and you will quickly be able to find it. Lastly, the book is very reasonably priced. Buy it, you won't be sorry.

By the way, this is a book to refer to as you deveolp you skills reading Arabic literature. If you don't have a basic reading knowledge of Arabic, then you need to be in a class with a teacher and a beginning Arabic textbook of some kind.

The only thing more indispensable to me than this book is Hans Wehr's dictionary itself. Enough said.

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